The Power Plant

For the fourth iteration of the Fleck Clerestory Commission Program, The Power Plant has invited Abbas Akhavan to develop a new work for this specific site.

Abbas Akhavan’s practice ranges from site-specific ephemeral installations to drawing, video, sculpture and performance. The domestic sphere, as a forked space between hospitality and hostility, has been an ongoing area of research in his practice. More recent works have shifted focus, wandering onto spaces and species just outside the home – the garden, the backyard, and other domesticated landscapes.

Abbas Akhavan's installation, variations on a landscape, uses a round fountain to alter the decentralized space of the gallery’s high and narrow Clerestory. Working against the rigid symmetry of the space, recalling the grid so prevalent in all North American cities, the installation aims to give way to a circular point for gathering, one that reflects on the role of an art institution, one that might offer a communal space for contemplation.

The artist's intervention alters the environment of the institution, engages with the architecture of the building while highlighting some of the natural and urban surroundings. The exhibition takes into consideration elements outside the white cube, allowing the visitor’s experience in the space to be shaped by the seasons, the time of day and the weather conditions. Akhavan has invited six writers and artists to contribute a text to the installation. Each text will be introduced to the physical space on a monthly basis.

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Watch The Power Plant's Interview with Abbas Akhavan

Summer 2018 Program Guide

Click here to read more about The Power Plant's Summer 2018 exhibitions and programming for the season!

Fall 2018 Program Guide

Click here to read more about The Power Plant's Fall 2018 exhibitions and programming for the season!