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The Power Plant is currently open with exhibitions Lap-See Lam: Floating Sea Palace and Charles Campbell: How many colours has the sea.

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Join us for a Sunday Scene art talk with a Toronto-based artist, curator, and writer Chiedza Pasipanodya, who will share their reflections on Amartey Golding's exhibition [_In the comfort of embers_](https://www.thepowerplant.org/whats-on/exhibitions/in-the-comfort-of-embers) at The Power Plant.  
 

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Chiedza Pasipanodya (chee-ed-za pasi-pano-jga) is an artist, curator, and writer who lives and works in Toronto, Canada and Harare, Zimbabwe. Their research-based practice is informed by traditional southern African pottery, ontologies and social practice. Chiedza has exhibited at Nia Centre for the Arts, Xpace Cultural Centre, and Whippersnapper Gallery. Chiedza was a Toronto Biennial of Art Curatorial Fellow (2022) and has curated exhibitions with The Art Gallery of Peterborough, A Space Gallery, BAND Gallery, and Nuit Blanche.

Sunday Scene

Amartey Golding (b. 1988, London; based in Norwich) is a visual artist who was raised as a Rastafarian to an Anglo-Scottish mother, Ghanaian father, and Jamaican stepfather. Through the use of sculpture, film, and 2D work, he explores the portrayal of Black masculinity in the media and homophobia within Black British communities.

Amartey Golding (b. 1988, London; based in Norwich) is a visual artist who was raised as a Rastafarian to an Anglo-Scottish mother, Ghanaian father, and Jamaican stepfather. Through the use of sculpture, film, and 2D work, he explores the portrayal of Black masculinity in the media and homophobia within Black British communities. Preferring to work with mediums he is untrained in, he has also experimented with printmaking, fashion, and ballet. Golding studied art and design from 2005 to 2006 and architecture from 2007 to 2010 at Central Saint Martins, University of the Arts London. He has had solo exhibitions in the United Arab Emirates, Germany, Denmark, and the UK, and in 2012–13, he was artist-in-residence at Tashkeel, Dubai. His 2016 film _Chainmail_ was lauded as “The must-see piece of this year’s London Art Fair” by _The Art Newspaper_. In 2019, Golding’s work was included in _Over My Black Body_, curated by Eunice Bélidor and Anaïs Castro at the Université du Québec à Montréal. 

Speakers from the world of art and beyond offer their responses to the current exhibitions. Whether focusing on a single work/artist or on multiple exhibitions, guest presenters draw provocative connections between our programs and broader cultural and intellectual debates.

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Join us for a Sunday Scene art talk with a Toronto-based artist, curator, and writer, Chiedza Pasipanodya, who will share their reflections on Amartey Golding's exhibition _In the comfort of embers_ at The Power Plant.  

The Power Plant

Sunday Scene with Chiedza Pasipanodya

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Amartey Golding: In the comfort of embers