Hold Everything Dear
Hajra Waheed
Past Exhibition
Sep 20 2019 – Jan 05 2020
Hajra Waheed, Hold Everything Dear, 2019. Installation view: The Power Plant, Toronto, 2019. Photo: Toni Hafkenscheid.
- PRESENTING DONOR
The Michael and Sonja Koerner Charitable Foundation
- SUPPORT DONORS
Anouchka Freybe & Scott Connell Susie & Vahan Kololian Lillian & Billy Mauer Peter M. Ross Robin Thomson Anthony & Mary Dawn Thomson
- ARTS PARTNER
- GUEST CURATOR
NABILA ABDEL NABI
Hajra Waheed translates research and observation into works that explore links between security, surveillance and the covert networks of power that structure our lives, while also addressing the traumas of displaced subjects affected by legacies of colonial and state violence.
Hold Everything Dear takes a single form — the spiral — as a starting point to reflect on processes of upheaval in human experience. Partly inspired by a collection of essays on survival and resistance by art critic and novelist John Berger, the works act as a meditation on undefeated despair and the possibilities for radical hope.
From the miniscule to the monumental, from calm to chaos and storm to sea, Waheed brings together a constellation of new work that draws upon patterns as they manifest across natural and sociopolitical structures. Many of the works visualize modes of resisting and overcoming tides of violence and despair, often in intimate, powerful ways.
Using the ordinary as a means to denote the profound, and landscape as a medium to transpose human struggle, the works, at times punctuated by prose, constantly slip between how power relations are imposed and how they may be transcended.
The artist would like to acknowledge Canada Council for the Arts and the Conseil des arts et des lettres du Quebec for their support of this new work.
A related exhibition of Hajra Waheed's work was on view at the Small Arms Inspection Building as a part of Toronto Biennial of Art.
LEARN MORE
Watch Hajra Waheed's In Conversation with Nabila Abdel Nabi and Jayne Wilkinson here:
Watch Hajra Waheed's Interview with The Power Plant here
FALL 2019 PROGRAM GUIDE
Click here to read more about The Power Plant's Fall 2019 exhibitions and programming for the season!
READING ROOM
Our reading list helps expand on ideas and themes of The Power Plant's exhibitions. Visit the gallery to view Hajra Waheed's selection.
From A to X – by John Berger
Hold Everything Dear, Dispatches on Survival and Resistance – by John Berger
Hope In the Dark, Untold Histories, Wild Possibilities – by Rebecca Solnit
Field Notes and Other Backstories – by Hajra Waheed
Hajra Waheed, Hold Everything Dear, 2019. Installation view: The Power Plant, Toronto, 2019. Photo: Toni Hafkenscheid.
Hajra Waheed, Hold Everything Dear, 2019. Installation view: The Power Plant, Toronto, 2019. Photo: Toni Hafkenscheid.
Hajra Waheed, Hold Everything Dear, 2019. Installation view: The Power Plant, Toronto, 2019. Photo: Toni Hafkenscheid.
Hajra Waheed, Hold Everything Dear, 2019. Installation view: The Power Plant, Toronto, 2019. Photo: Toni Hafkenscheid.
Hajra Waheed, Hold Everything Dear, 2019. Installation view: The Power Plant, Toronto, 2019. Photo: Toni Hafkenscheid.
Hajra Waheed, Hold Everything Dear, 2019. Installation view: The Power Plant, Toronto, 2019. Photo: Toni Hafkenscheid.
Hajra Waheed, Hold Everything Dear, 2019. Installation view: The Power Plant, Toronto, 2019. Photo: Toni Hafkenscheid.
Hajra Waheed, Hold Everything Dear, 2019. Installation view: The Power Plant, Toronto, 2019. Photo: Toni Hafkenscheid.
Hajra Waheed, Hold Everything Dear, 2019. Installation view: The Power Plant, Toronto, 2019. Photo: Toni Hafkenscheid.
Hajra Waheed, Hold Everything Dear, 2019. Installation view: The Power Plant, Toronto, 2019. Photo: Toni Hafkenscheid.
About the Artist
Hajra Waheed
Hajra Waheed’s multidisciplinary practice ranges from painting and drawing to video, sound, sculpture and installation. Amongst other issues, she explores the nexus between security, surveillance and the covert networks of power that structure lives, while also addressing the traumas and alienation of displaced subjects affected by legacies of colonial and state violence. Characterized by a distinct visual language and unique poetic approach, her works use the ordinary as a means to convey the profound, and landscape as a medium to transpose human struggle and a radical politics of resistance and resilience.